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Soon Angels
10.30.09 (7:52 am)   [edit]
"There are those who write things down and those who don't." Judy giggled a bit as she realized she was talking aloud to herself. "And a whole lot o' people in between who do a little of both," she continued. With a sigh, she snuggled into the chair next to her bed. "If you don't write it down, then it didn't happen." Where had she read that? She closed her eyes and unconsciously massaged her left wrist where the bullhead IV lay in her vein. That damned thing hurt worse than the cancer she had fallen prey to, worse even than the chemo, its retching and wretched fingers tearing her body apart a single hair at a time. She could make her way past the Big C most days, both of them... Chemo.. Cancer. caca. The IV though; it was a beast that gave her body no rest. Lights twinkling outside the window danced for her eyes, calling out to her to notice them. She willed herself into a necessary melancholy, a survivor tool she had developed of late. From the tenth floor window of her hospital room she had learned the winking and blinking pattern of a world that seemed to have little to do with her anymore. Three weeks from her twenty-ninth birthday, twenty-one days spent in this room, offered little else. There were tests, biopsies, MRIs, EKGs, UA drops, Xrays... blood.. blood.. blood. The mean nurse would come tonight to torture her with the terrible stabbing tools of her trade. She was a witch and Judy was her victim. Judy refused to learn any of their names, these white cloaked monsters with their patronizing jabber and containers for 'points'. She felt like one of her Grandfather's rabbit stew rabbits. As a small girl, she had watched him hang them by their ears from the clothesline in the backyard. He would coo-coo them and pet their fur, kind executioner that he was. Like hell, as soon as they relaxed, he would punch them at the base of the skull with the hard edge of his hand. "Jellybean, tendermeats when they's relaxed, we don' wan' eat no wild blood," he had explained to her. That's what these people did, chatter chatter chatter, punch stab stab. Judy had wanted to sit up from the first day she spent in this awful room but was tied to the bed by tubes and wires feeding and recording, liquid gurgles and mechanical chirps, witnesses to her frail hold on life. The visitor's chair beckoned to her. 'Yes and the chairs have voices,' Judy thought and it said, 'Never mind all that and any necessary apparatus confining her; she should just get up and drag it to the chair with her.' Finally having done so, it felt wonderful to have claimed such a small victory. No more would she settle for an extra pillow, the buzz and whir of the bed adjusting its envelope to the wishes of its enclosure. "I don't care about 'Ms. Pokes-a-lot' either," she whispered to herself, "She'll just have to torture me in the chair tonight. Tomorrow I'll mark another year." "Tonight is my last night as a twenty-eight-year old," she continued, "I'll spend it asserting myself as an independent woman." She gripped the arms of the overstuffed chair and smiled sadly at her maudlin thoughts of yesterdays. She didn't consider such thoughts memories. As far back as she could remember, she had been blessed and cursed with the foreknowledge of what was coming next. This was especially true of that day of days, her birthday. Having been born the thirty-first of October, she was just one more holiday Child. Halloween owned what should have been her day. She had spent each of her birthdays in costume as a cat, a fairy, a princess, a nun. The list was endless and her mother kept a perfect chronological record, 'Judy's Halloween Birthday Book'. From the look of things here, there would be no thirtieth birthday. She would finally wear the ultimate costume, sure to win any Halloween contest. She would be in the skin of the dead. Her prognosis was not good. The doctors spoke in terms of days and weeks. The more optimistic ones even said months once in a while. No one uttered the year word. Judy touched her smiling lips with her fingertips. "I look stupid when I smile," she giggled to herself. Her smile grew as she realized it didn't make any difference now. She was alone in more ways than she had ever thought possible. Divorced, no kids, Mom and Dad wonderful and oh so sad. They were the pain in her heart that the IV was in her arm. Their suffering was much worse than hers and she knew it. Daddy's 'Jellybean' , Momma's 'Missy', their only Child, was soon to leave them. Everything that could be done had been done. Judy had run out of strength and, at some level, the three of them were aware of it. Still Judy smiled. Had they changed her pain killers without telling her, she wondered. She felt wonderfully free of physical pain. Even sympathy for the awful pain of her parents seemed to have taken a back seat to this new euphoria come to possess her, body and soul. She had worn herself out earlier, talking them into leaving her for the day. Tomorrow was her birthday. They could come then and help her celebrate. She had made them promise to go out and have dinner, then go home and get some rest. How was she supposed to rest when they refused to do so. She felt a pang of guilt for pulling that one but it was the truth. She settled deeper into the luxurious embrace of the chair, it being what a bed could never be. Once comfortable, she implemented a new process she had conceived of sometime during her three weeks of institutionalization. A song by the Moody Blues, 'Nights in White Satin', was her parents' favorite. It was 'their song'. They were a very romantic couple, even after thirty years of marriage. They had danced to the tune the night they met. Judy's trick was to become her former little girl self so she could once more watch their dancing silhouette. A tear ran down her cheek as she repeated the thought that had come to her as a Child, the dream that always came to visit when they danced, "There is only one of them." A sound from outside the room interrupted Judy's reverie. 'The mean one is here,' she thought, 'Gotta get back in that bed!' There was no time as the stodgy old nurse pushed through the door with her clattering cart full of probing and poking instruments of torture. "Hope you're not sleeping, Dear," she said in her cigarette voice. "Doctor has you scheduled for a procedure tomorrow. He had a cancellation. I have to begin your prep work tonight." "Oh God," Judy mumbled under her breath. Procedures and prep work, the terrible Ps, poke and prod would be closer to the truth. At least the old bat hadn't said invasive, PPI was as bad as it got in her experience so far. Invasive could be anything from a relatively simple breast biopsy to a camera poked up her butt to who knew what they would think of next. "Depending on the results of tonight's workup," the starchy old woman continued as if she had read Judy's mind, "Well, you know how it goes, Dearie. These workups will determine whether tomorrow's procedure is invasive. 'She acts like I'm taking a test,' Judy thought bitterly, 'Like I have some control over how positive or negative the tests come out. What she means is that she wants me to behave like a good dying girl and make her job as easy as possible'. Judy was amazed that the old hag hadn't seen her yet. The lights in the room were dusk dim but 'Ms. White on White' was only a couple of steps away. She watched in disbelief as the nurse touched something on the bed. "Come on now, don't be difficult. I know you can hear me." Judy peeked around the nurse to get a look at the bed. She gasped as she saw what looked an awfully lot like someone lying in her bed. How had that someone gotten into the room without her noticing, not to mention climbing into the bed. She had been deep in thought and comfortable for once, having achieved her desire to sit in the chair. She got a little ticked at the thought. Whoever was in there had better damned well get up and find another place to lay down. She didn't like the hospital one little bit but found she had proprietary feelings toward her place in its confines. The nurse stood between the chair where Judy was sitting and the bed. "Oh dear," she choked as she drew her fingers back like they had been burned, "So young and pretty..." She pushed the red button on the wall and bright lights stabbed at Judy's eyes. In seconds the room was filled with people and carts loaded with last ditch resuscitation equipment. An orderly pushed Judy's chair into a far corner out of the way. She looked straight into his face and he turned as if he hadn't seen her. Judy used every bit of her resolve not to rise up out of the chair and yell, "Hey, it's me... you know, the one who is supposed to be in here. I don't know who that person is or how they got in!" She couldn't get up, of course, because she would tangle the tubes and wires snaking from her body. She watched in fear and awe as half a dozen doctors and nurses worked feverishly on the person in her bed. One stabbed a long needle down into the middle of the still figure. Nothing happened. A doctor took a set of those clapper things she had seen them use when watching ER. He raised them frantically as everyone stood back. He yelled "Clear!" then brought them down on the flesh of the corpse. He repeated the procedure until Judy screamed, "It's dead! Get it out of here! All of you, just go away and leave me alone!" Judy realized in an instant of crystal-like clarity that they couldn't hear her. Then the room was still, more still even than the smoking corpse on the bed. The main participants in the gruesome charade began to file from the room. A gurney was wheeled in by two young men. They lined the gurney up with the bed and stood by, one at each end. "Okay," breathed the one at the head of the bed, "On three, count." "One, two, three and lift," they chanted together. On 'lift' the body was picked up and bundled onto the gurney. They began to roll it toward the door. Judy recognized one of them as he said, "Just a sec'." Maybe he had seen her... but no.. She watched enraptured as he pushed the hair gently out of the face on the gurney. He bent and kissed the face on its cheek. "Ya know," he said to his helper, "Sometimes this job gets to me. I kinda liked her." He pulled a sheet over the face and they rolled the gurney out into the hallway. Judy touched her cheek. 'I'm dead,' she thought, 'I'm toast and now they have taken me away.' "Don't worry 'bout 't, lady!" Startled, Judy turned toward the sound of the voice. A boy of indeterminate age stood before her. "Hey, my name is Henry!" He offered Judy a hand. She took it and relief washed through her. She could actually feel the flesh of his hand. "Wha... wha happened?" she asked tentatively. Something about the boy's appearance bothered her. 'He looks like the face on 'Mad Magazine,' she thought, a quite uncomfortable thought, especially considering the circumstances. "Well," the boy replied, "By the book I'm s'posed t' give ya a bunch o' closure stuff an' lead ya through the um... uh, oh yeah, the transition. But hey, tomorrow's Halloween an'.. Oh well, see I was hopin' for a babe closer t' my own age. Hey well, age don' matter, not t' us anyway. Am I right, Sweety?" "Who are you?" Judy asked weakly. "I toldja once," he replied. "My name's Henry. My friends call me... well, I ain' exac'ly got no friends." He offered her a mischievous smile. "If I did, they could call me Henry." "Do you know what's happening to me?" Judy asked. Henry stood there ogling her. "Hey Sweets, is dem real?" Judy slapped his face. "I don't like you. If you can't behave yourself, just go away." She sat back down, held her face in her hands, and wept. "Now don' get carried away." Henry moved as if to put a hand on her shoulder. Judy took a deep breath and raised her head. The look she gave Henry would have stopped his hand all by itself. "Don't you dare touch me!" she warned. Henry touched his face where she had slapped him. "Women!" he said and turned to leave the room. "Wait!" Judy cried. "Do you know what's going on here? Can you help me?" Henry glanced back and gave her a wink. He walked through the wall next to the door and returned immediately through the wall behind the chair where Judy was sitting. "Boo!" he said playfully into Judy's ear. She jumped from the chair and turned to face him, arms akimbo. "That's about enough!" she cried, close to tears. "If you can't behave yourself or help me, you'd better just leave." "You're dead, lady," Henry said, exasperated. "I was jus' tryin' t' show ya some o' the cool stuff we can do." "We?" Judy hung the word in the air between them. "Yeah, we," Henry said, "We bein' ghosts." "But I felt your hand," Judy argued, "When I first saw you, I... I felt your skin." "Yeah, well," Henry snickered at her, "I been in 'nis bizness a while an' I got control over some o' the things mos' ghosts don' know nothin' 'bout. Yer a perty woman an' I didn't 'magine you'd wanna haul off an' slap me one or I wouldna puffed up my skin." Henry took a poke at Judy's breast and her first reaction was to strike out at him. "Go ahead an' gimme yer bes' shot!" Henry taunted as her hand passed through his face. "Oh God." Judy sat back in her chair. "You 'n me is inbetweeners," Henry explained. "I been a inbetweener for a long time. I like 't but mos' folks don't." "If that's my choice," Judy looked at him askance, "To be like you or dead, I think I'd prefer to just be dead." Henry stuck out his bottom lip. "Now that ain' a nice thing t' say to a child. You ain' gon' get across talkin' t' me like that!" "Across?" Judy asked. "Yeah," Henry answered, "Across. See, dead is dead. Ya can't go back an' be alive. Ya have t' help someone or somethin' like that, do somethin' nice. Then mebbe ya get t' go t' the other place. I ain' never been there so don' go an' ast me 'bout 't." "So you're here to help me?" Judy inquired. "Nah," Henry licked his lips. "I came t' see the kids downstairs, mebbe do some Halloweenin' tomorrow. Then I felt you dyin' an' came up t' have a look-see. I'm good at feelin' stuff like that. I wouldna come up if I knew you was outa yer body." "You're not a very nice boy, are you?" Judy asked. Henry stomped a foot. "I ain' no boy an' you ain' no girl. We is ghosts; that's all there is to 't." Judy leaned back into the chair. "What am I supposed to do, Henry?" she asked. "And if I'm a ghost like you, why can't I choose to feel or not feel? Why can't I control the tactile sense like you can. I don't believe I'm the same as you." "You'll learn the tricks. We can feel each other if we want," Henry explained. "Else we can..." Judy shivered as he strode across the room and walked himself right through her and the chair. "Ya shouldna lef' yer body." "I didn't do that on purpose." "Don' matter," Henry twinkled his eyes at her. "Looky here, girl, alls I know is this. Yer body got away an' now yer stuck, jus' like me. I like bein' stuck an' you don' seem like yer gonna take to 't very well. Tomorrow's Halloween. That's like, my main gig as the cool cats say. I was hopin' t' hook up with them kids downstairs but now I ain' so sure. I gotta feelin' yer gonna mess stuff up for me." Judy studied Henry for a moment. "You don't really know what's going on with me, do you?" "I met some like you before," Henry replied. "I got away from 'em quick as I could and that's jus' 'bout what I'm fixin' t' do right now." "Hold on a minute." Judy willed herself to touch his arm and was as surprised as Henry when she actually did. "Oh!" she squeaked. "Yer catchin' right on," Henry allowed. "It's a lot," Judy said through a sob. "It's a lot to get used to. I mean, I'll never see my parents again. I'll never..." "Quit it!" Henry interrupted. "You'll get over all that stuff. Lots o' folks do. I ain' never seen mine since I died a long long time ago. It don' bother me one l'il ol' bit!" "I think you're lonely," Judy observed. "Under those freckles and that smart aleck attitude there's a lonely little boy." "I ain' neither," Henry insisted. "I'm gonna do this Halloween thing here. It's too late t' change my mind. I was hopin' mebbe you'd help me. It'd take yer mind offa bein' a dead person." "And I suppose this is your way of talking me into it?" Judy said, deadpan. "I'm doin' 't," Henry said. "You go ahead an' do whatever ya want. Wander 'round up here bein' a dead woman if that's what ya want. I got stuff t' do." Judy touched his arm again. "I'll make you a deal, Henry. I'll go with you to see the children downstairs. I'll help you if I can. If it's too much for me, I'll..." "Good 'nough!" Henry butted in. "Let's get shakin' bacon!" Judy followed Henry from the room. She stopped abruptly, realizing she had forgotten her things. She went back into the room and attempted to take the portable book shelf from the window sill. Her hand passed through the shelf, books and all. She willed herself to feel but couldn't get a grip on her possessions no matter how hard she concentrated. She sat down in the chair, sadder than ever. "Whatsa matter witchu now?" Henry was back. "I came back to get my things but I can't make myself feel them. It will break my Mom and Dad's hearts if they have to move all my belongings." "I thought you were followin' me," Henry accused. "I got all the way down and there you weren't." "Didn't you hear what I just said?" Judy asked. "I can't will myself to grasp my things." "You ain' got no things," Henry said slowly as if Judy couldn't hear him. "You are dead an' ain' gonna feel nothin' like that no more. You can touch other ghosts 'less they don' wantchu to. You don' live here no more. You are dead. You might's well get used t' the idea, ain' nothin' ya can do 'bout 't." Judy rose from the chair, resigned anew to her fate. "I'll follow you." Henry went through the open door and Judy followed. He disappeared into the floor and Judy made her way to the elevators. Soon he was at her side. "Whatchu doin' now?" "This is just too much for me," Judy whispered. "You go ahead. I'll wait until someone takes the elevator down and catch a ride with them." "Ya don't have t' whisper!" Henry screeched. "I know, I know," Judy whispered. "They can't hear us or see us. We are dead. We are ghosts." "Now yer catchin' on. Oh, an' don' go tryin' t' find yer body," Henry warned. "You shouldna got outside 't in the firs' place. Ya gotta find another way or jus' go 'round an' have fun like me. It's too late for you t' die normal now." "I was a lot of things in my life," Judy said. "Believe me, normal wasn't one of them. I guess it's fitting that I can't have a normal death either." "Yeah, yer a real riot," Henry commented. "I'm goin' t' the kids now, that's on the secon' floor. Whatever you do, don' leave this hospital an' get lost. Ain' nothin' sadder 'n forever than a ghost losin' its way." Henry dissipated like a wisp of smoke. Judy decided to walk the corridor, maybe see what was happening behind a few closed doors. She ended up going to the end of the hall where she stared through the sliding glass doors that opened onto an outdoor patio area. She pushed her hand against the handle. The door didn't budge but Judy almost fell through it when her hand met no resistance. "Don' go out there." Henry stood next to her. His face wasn't wearing its usual smirk and, well, he seemed almost human. "I don' know whatsa matter with me," he said. "I ain' never worried 'bout nobody my whole time. I got lotsa stuff t' be doin' but I can't concentrate knowin' yer jus' gonna go an' get yerself in a jam." "Why can't I go out there?" Judy asked. "It's windy out there," Henry said. "You get yerself sucked up 'n end up jus' any ol' place. Outside ain' no favorable place for ghostin'. Come on downstairs. I'll meetcha at the elevator on the secon' floor. I don' really need much help but if yer with me I won' have t' worry 'bout you gettin' in trouble." "You're really quite a nice boy when you drop that devil-may-care attitude." Judy reached out and touched his face. "Henry, I do believe you are blushing." "I ain' nothin' nice," Henry hissed. "See ya 'round!" He fell through the floor. Judy took one more wistful glance out the glass then turned away. She followed a couple onto the elevator. She had to ride down and up a few times because most of those on the upper floors were going down to the main floor. She had to wait for someone to stop and get off at the second floor. The stairs were tempting but she couldn't get used to the uncomfortable feeling when people moved and stepped through her. At least in the elevator they stepped in and tended to stand in one place. Henry was waiting for her when Judy finally made it to the second floor. He behaved himself and stayed within sight, then stopped at a set of double doors. A sign above the doors read, 'Children's Wing'. "Here's what we do," Henry began without preamble, "There's eight or ten kids in there. They're allays gettin' tests 'n stuff so I ain' sure exac'ly how many there are. We'll touch each one of 'em, like hold their hand or somethin'. I woulda picked out one of 'em, made friends an' had 'im help me but now I ain' got time." "What will transpire when we touch them?" Judy asked. "What will what? Hey, don' use those ten dollar words on me." Henry was impatient and could hardly stand still as he spoke to her. Judy repeated the question, "What will happen between me and a child whose hand I touch?" "Yer jus' gettin' a feel for 'em," Henry answered. "They're mos'ly older kids, nobody under ten 'cept one l'il girl but we won' worry 'bout her. Ya jus' give 'em a feel so I can figger out who's gonna do what tomorrow night." Henry stepped toward the entrance. "C'mon, follow me through. Yer gonna have t' learn t' do this or you ain' gon' be able t' do no ghostin'." Henry walked through the steel door and Judy followed. She felt a 'thwop' sound while passing through and meant to ask Henry if he felt the same thing but he was already off down the hallway muttering something about just getting the job done. Judy forgot her own problems, even the fact that she was dead, when she entered the roomful of terminally ill children. There were twelve beds in the rectangular room, arranged six to a side. Each space was equipped with a curtain track on its ceiling so the patients could have a modicum of privacy if they chose to. Only one of the spaces had the curtains pulled shut. Henry was moving from bed to bed, holding hands, touching a face here and there. 'This is no place for a Halloween party,' Judy thought. The wall behind each bed was decorated with pictures obviously drawn by the occupants of the beds. There were ghosts and goblins in the pictures, witches flying through the air. Judy drifted toward the space with the curtain pulled. "Don' bother with that one," Henry advised. "She's too l'il an' too sick." Judy stepped through the curtain. The bed, a replica of the one Judy had spent the past three weeks in, seemed much larger because of the tiny person it held. Judy was unable to determine the gender of the child by looking at its face. Thin wisps of hair lay like fine thread on the pillow. Judy pulled her eyes from the child and saw a picture of daisies on the wall. 'Loreli' was scrawled across the bottom of the drawing. Judy looked upon the child's face once more, entranced by the fine web of veins on the closed eyelids. "So you're a little girl." Henry poked his head through the curtain. Judy almost warned him to be quiet but remembered that no one living could hear them. "C'mon," Henry urged, "Don' mess with that poor l'il girl. C'mon out an' see my plans." "I'll be out in a few minutes," Judy assured him. "Be patient, Henry. I need to sit and rest a bit." "I ain' no patient," Henry mumbled as his head withdrew from the curtain. Judy returned her attention to the little girl. "Loreli... that's a beautiful name," Judy mused. She touched the child's face and her eyes popped open. "Oh my!" Judy exclaimed. Henry was wrong about this one. She was full of energy and definitely aware of Judy's presence. Loreli's lips moved but no sound came from her. "I know, I know," Judy said. "Don't try to talk, Sweetheart. I'll just sit here with you for a while so we can get to know one another. I know what you're feeling. You don't have to speak." Henry's head popped through the curtain again. "Oh no you didn't! I knew it. I toldja don' go messin' butchu did it anyways. You better c'mon out o' there. I gotta tell ya some stuff." Judy touched her lips with her free hand, a gesture meant to tell Henry to wait. She assumed he understood because his head backed out through the fabric of the curtain. Loreli's eyes slowly shut and Judy whispered to her, "Hush little baby; don't say a word..." There was most definitely a connection here. Judy was filled with a sense of peace as Loreli drifted off to sleep. Judy arose and melted through the curtain. She found Henry standing by a boy's bed across the way. "I thought you said they wouldn't feel us," she said to him. "That little girl definitely knew I was there. She spoke to me and I sang her to sleep." "You one goofy ghost," Henry said, "I toldja t' leave that one alone. But, oh no, you gotta go an' do exac'ly what I tell you not t' do, then you act like I lied to ya or somethin'. That l'il girl is ready t' go over, I tell ya." "Let's don't argue," Judy said. "I didn't mean to imply that you were a liar. I thought you meant all of the children wouldn't be aware of us. I still don't understand why you prefer that I ignore Loreli." "That's it!" Henry exclaimed. "That's jus' it. You don' wanna make no bonds with live people, 'specially ones like that l'il girl who ain' gonna be alive too long. You shouldna learnt her name. An' I am a liar, so there! I jus' don' like nobody accusin' me o' lyin' when I ain't." He stepped closer to the boy's bed. "C'mere an' touch this boy's hand." Judy did so and shook her head. "I don't feel anything. It's like pressing my hand against a brick wall." "There ya go," Henry laughed. "Now yer gettin' 't. Jus' tell this boy he's gonna have a fine time Halloween night. Say that to him three or four times." Judy felt silly as she did Henry's bidding. "Now what?" she asked. "Now go 'round the room. There's nine kids not countin' that l'il girl. Jus' tell 'em all they're gonna have a real good time come Halloween night. You tell 'em Henry said so an' yer his bestest friend in the whole wide world." Judy went from bed to bed. She found it difficult to convey Henry's message to these poor sick Children. When she came to Loreli's curtained space she felt compelled to go in but found Henry blocking her way. He stood in front of her shaking his head. She went around him to the next bed and finished the round. "Now what?" she said to Henry. "Yeah, now what," Henry parroted. "Now what is this: Us spirits, we got lotsa energy. We can save 't up, then use 't t' make stuff happen for us. That's why we hadda tell all these kids 'bout tomorrow. That way they'll be ready t' have some fun." "Henry, what're you going to do," Judy asked softly, "These children are very ill. You have to be careful with them." "You jus' gotta wait 'n see," Henry grinned. " We jus' checked 'em out you 'n me. We gotta rest now. Tomorrow night, nine o' clock, we gon' rock this joint!" "So we have to sleep at night just like when we were alive?" "Nah, nothin' like that. We don' need t' sleep. We gotta save energy when we're plannin' somethin' big. I save up all year an' you'll see what that means tomorrow night. Right now I'm gonna rest in the lady's restroom." He chuckled. "Get 't... rest in the restroom?" Henry wiggled his eyebrows. "Wanna go with me?" "No thank-you," Judy replied. "As exciting as that sounds, I think I'll go sit with Loreli." "You ain' gon' be in no mood t' party ya go messin' with that l'il girl. I keep on tellin' ya an' tellin' ya," Henry warned. Judy drifted toward Loreli's bed. 'I'm drifting,' she thought, 'Just like Henry. He doesn't really walk. He drifts from one place to another.' "I'll be okay," she said to Henry. "Tomorrow's my birthday. I'll spend it with you." "You know that," Henry chortled. "You'll be one day old an' we got us a date!" He had his ogle face on as he dissolved into thin air. A couple of nurses were making their rounds in the Children's Room, dispensing meds and good cheer. Judy couldn't help but feel that they would, in some way, be able to detect her presence. On a whim, she followed a maintenance man down the hall to the elevators. She had a bit of luck as the man pulled out a key and opened the 'Hospital Staff Only' door. She went right in with him, then realized her mistake as he punched a button for the sixteenth floor. Judy was frantic to visit her old room. The maintenance man stepped out and Judy watched the floor indicator lights on the wall of the elevator. When ten lit up, she took a breath and walked through the door. 'Thwop' and there she was, standing in the hallway a couple of doors down the hall from her room. The door was ajar so Judy peeked in. "Oh God," she moaned. There was her Father holding her Mother. An empty box sat on the bed. They must be here for her things. Judy's Father rocked his wife gently back and forth, speaking all the time, almost a chant. "Our Jellybean is with God now... there is no more pain.. don't cry.. don't cry.. Our Jellybean is..." Judy began to sing in a voice they were unable to hear. "Nights in white satin." They began to dance as Judy sang the words. She didn't think she knew them all but they came on their own, each and every one of them. She hummed the lead notes in the instrumental bridge of the song. When she reached the end, her mother had stopped crying. She was kissing tears from a face Judy had never seen cry. Judy walked into them, felt the incredible strength and love each had for the other and both for her. Judy sobbed as only a ghost can sob. "There is only one of them." They gathered her belongings quickly. Judy went with them to the elevator. She rode it to the first floor and, just before they reached the doors to the hospital, a man entered. A gust of wind carried a host of leaves in his wake. 'I'll be blown away,' Judy thought. She watched her parents go out the door. She held them in her sight until they were taken by the night. Judy made her way, entranced, through the lobby to the stairs. She felt them passing through her, thwop. thwop thwop, pedestrian traffic. She was too sad to care. Back in Loreli's space, Judy sat in the chair by the bed. She found Loreli's hand under the blanket, willed herself to feel. A sweet little girl voice spoke into her mind, "It's okay, it's okay. You go ahead and cry." Judy felt the small child's hand, its offer of refuge, flesh on flesh. She gave herself over to it, allowed herself the peace and respite of Loreli's pillow. "Hi Baby. How's Daddy's special girl?" Judy drifted slowly away as Loreli's eyes looked upon the kind face of her Father. "Daddy," Loreli said sleepily, "I got a angel." Judy exited the room. She went through the wall, not even thinking about it. The thwop thing was there but seemed lesser now. The terrible sadness and loss she felt last night seemed to be fading as well. Frantic to recapture the moment, Judy went to her old room. It was vacant and antiseptic clean. The chair had been moved back next to the bed. Judy sat in it and was welcomed like a long lost friend. She went away to a realm of mists. Shadow shapes passed at the edge of her vision. 'They're getting ready for me,' Judy thought. 'They know today is... what is today?' She faded away mercifully into a land of smoke and didn't come out until... "I figgered I might find ya here." "Where am I?" "Yer where I metcha." "Those people... shapes in the fog.." "Yer bound an' determined t' go there. I keep tellin' ya, they ain' ready for ya jus' yet. If they was, you'd a-been gone." "What am I supposed to do?" "Yer s'posed t' come with me. We got us a date, remember?" "Henry, can you help me out of here?" "Sure 'nough!" Thwop! Judy peered through the tenth floor window. There they were, the twinkling lights. They used to mean something to her. What was it? She was desperate to remember. Henry touched her hand. "C'mon, 't's time for the party. That l'il girl even woke up." "Take me then," Judy said simply. "Jus' what I wanna hear from my date," Henry said happily. Judy had no time for a reply as Henry whisked her away to another world, Henry's world. The room was indefinite in shape. Skeletons danced on a strobe-lit platform. Shrill voices cackled invitations from dark doorways. Judy pulled her hand back in alarm as something scratched it. Henry stood next to her, though you would never guess his identity by looking at him. He was some kind of bat creature. The long nails on his paws were what had scratched her hand. "Is this the Children's Room?" Judy asked fearfully. "Darn tootin' fig newton!" Henry replied. He hopped into the air and took flight. 'Round and 'round Judy's head he flew. "How did you talk the hospital into going along with this?" Judy asked. Henry shrunk himself to bat-size and lit on her shoulder. "I'm gonna tell ya once an' that's it!" he squeaked into her ear. "This is my Halloween place. It's like my inbetweener's playground. I gotta set 't up t' fit somewheres real, then push myself hard t' make 't happen. Costumed children were raking leaves into a huge pile while others dove in and allowed themselves to be covered up. "Careful there!" Henry squeaked. "We're gonna light that pile on fire perty soon now. We don' want no baked ghouls or boys." "This is going to be one big mess to clean up," Judy observed. "You aren't really going to burn those leaves in here, are you?" Henry flitted about a bit. "I jus' toldja, we ain' 'in here'. All the l'il sick kids is in their beds jus' like they're s'pose t' be. Now c'mon, les' go bob for glizzards. Henry flew off in the direction of the children. Leaves and cornhusks flew up in the path of his wake. The happy music of excited children was everywhere, incongruous with the shrieking voices emanating from the dark. Judy glanced down at her hand and was shocked. Her fingers were impossibly long, skin white, and long black pointy fingernails. She held the hand up in front of her face and clicked the nails against each other. This wasn't stage makeup. The nails were black through and through. She looked into a wall of glass or sheet of water, she wasn't sure which. "Oh no," she murmured to herself. "He's turned me into Elvira." A small hand tugged at her dress. "Will you go wif me to the costume contest?" Judy looked down into the face of a perfect fairy, pointy ears, wings and all. "Don't be afraid honey," she crooned. "My name is Judy. I sat with you last night." The fairy fluttered her wings, looked away, embarrassed. "I know. That's why I want you to go wif me. I don't wanna lose you no more." "Oh Loreli," Judy cried, "You sweet sweet little girl. I don't wanna lose you no more either. Would you mind if I held you?" The tiny fairy danced into the air and landed in Judy's welcome embrace. She threw her arms around Judy's neck and whispered in her ear. "Don't say my name so loud. Everyone will know who I am if you say it loud." Judy ran her fingers down the length of Loreli's long beautiful hair. "I won't," she promised. "Let's go find that costume contest." As they began to make their way through Henry's Halloweenland, Judy realized how perfectly everything fit in its dark way. There were ten areas of activity, one befitting each child in the room. The spaces the two empty beds occupied were marked by a rickety sign above them. It read, 'Wasteland'. A large raven perched on top of the sign. It stretched its massive wings and spoke to them as they passed, "Caw Caw." Judy's fairy snuggled its face into her throat as she hurried past the threatening bird. A large furry bat flitted about as a blindfolded child tried to pin a tail to it. Youngsters yelled encouragement and direction to the child with the pin and tail. The bat paused and squeaked as the pin stuck it in the butt. The children laughed and clapped, clasped hands in a circle and danced around the winner. Henry landed on Judy's shoulder. "Wanna play?" "I'm taking my Fairy Child to the costume contest," Judy said to the bat. "We got glizzards in a bucket," Henry offered. "They got sharp l'il needle teeth so you gotta bite 'em 'fore they bite you!" "We'll just wander around until we find the costume contest," Judy replied. "You've done a wonderful job here, Henry. I'm sure this is more fun than most of these Children have ever had." "Wait'll next year," Henry squeaked, "I'm gonna do a prison." "You're too much," Judy said as her Fairy squirmed. "We have to go, Henry. This little elf wants to find the costume contest." Henry nibbled Judy's ear. "Do a l'il somethin' for a guy first, wouldja? Pull that pin outa my butt." Judy used her free hand to do as he asked. Henry took off like he was shot from the barrel of a gun. Judy and Loreli moved through the dry crackling leaves by the light of an October Moon. There was the mean nurse cackling like a witch, orderlies dancing with skeletons. Loreli whispered the names of the children in Judy's ear as they cavorted by. Judy was consumed with a feeling of overwhelming loss and regret as she realized she was no longer one of them. 'That's what Henry wants,' she said softly to herself, 'just to be part of the flawed and fragile stuff of humanity.' "Huh?" Loreli asked in a voice smaller than herself. "Nothing, Darling Child," Judy nuzzled the top of Loreli's head. "I was just talking to myself." "Can we go to my bed and lay down?" Loreli asked. "I don't really care about that ol' costume contest. I don't feel very good." Judy crossed the room and stepped behind the curtain where Loreli's bed should have been. There was a throne there, white on white on white. Black light made everything white sparkle fuzzy. Loreli giggled weakly at Judy's blue-white teeth. Judy climbed up and sat on the huge chair, Loreli held close against her breast. "Sleep Child, if you can," she crooned. "You're very brave and now you must rest." "Surprise!" The curtain flew open and all the revelers stood 'round the throne. Henry, the bat, was now Henry, the handsome and engaging emcee, tails and all. "By unanimous vote, we find you, Tiny Fairy and you, Dark Angel, co-winners of the costume contest!" Everyone cheered and tossed confetti but Loreli wasn't having any of it. She kept her head buried against Judy's breast. Henry raised an arm and up came his dark satin cape. "Off with you now," he announced regally, "All you hobgoblins and ghosts. Read carefully those scavenger lists and hurry yourselves back! I will mark the hour!" "Henry, come here," Judy called in her whisper voice. He stepped up to the chair and Judy drew his head down with her hand. She kissed his forehead. "I know what's going on now." "Me too," Henry said softly. "This is your chance," Judy said. "My being a stubborn woman, bound and determined to sit in a chair, muffed it all up for you. I'll bet you could take my place with Loreli." Loreli wrapped her tiny arms tight around Judy's neck. Her wisps of hair fell off and her wings disappeared. Henry's magick wasn't strong enough to keep her. "No!" she cried. "Judy's my angel. I already tol' my Daddy. You can't leave me now!" "She's right," Henry said, "'Sides, I gotta finish this here party. I was t' leave 't t' you, no tellin' what'd happen. You'd jus' mess the whole thing up." Judy held Loreli tightly. Something was pulling at them and it was growing stronger by the second. "Henry!" Judy cried out, "Why didn't you tell me I was an angel?" Henry had begun to fade from her vision. "You hadda figger that our for yer own self!" They were in Loreli's bed proper now. They could hear the sound of a noisy alarm and frantic human voices crying, "Loreli seven! Loreli seven!" They drifted down the misty path, the lady and the tiny girl. Shadow shapes whose name was love gathered them up, gathered them up and away.
 
Six September/White Wedding
09.12.09 (11:54 am)   [edit]
Two September I headed east from California, hell-bent for Colorado, my birthplace and home to my five adult Children, their Children and the Child’s Child. Kathy, riding shotgun, chatting and sharing the driving, made this a much more enjoyable road trip than the one I did by myself a few months ago when I came to live with her in this sunset place, California. We had plenty to talk about too. We were to be married Six September at DiCicco’s Restaurant in Olde Downtown Arvada. Kathy spent months researching and coordinating with my daughters to create a memorable event of our wedding. I learned that a wedding is much like a birthing, gender-wise. A man can say what he wants but basically, if he has his head on straight, he stands where he’s told while the woman does all the work, endures the pain and deep wonderment and responsibility of the event. They did well, these sweet ladies of mine. Kathy and I stood in a tall room beneath a flowered arch decorated by my daughters and exchanged vows we had written and agreed on ourselves (lots of mind wrestling there). Marlys Duggan, a fine former business associate and new friend of mine, did a wonderful job as officiant of the ceremony. Kathy and I danced and kissed, shared the cake, sipped and spilled champagne with friends and loved ones, hers and mine, now ours. The event went off without a hitch except, of course, the one intended. The Circle of Family in that tall square room began with my one-year-old Great-GrandDaughter, Jessa. Hand in hand, ecstatic teary eye to eye, it extended to meet with our Family, Friends, and Children, then complete with our parents, those lovely and curiously flawed People who created Kathy and me. Gone from this life, all four were represented by photographs on the sign-in table. I like to think they were watching us, they are watching us. I know they are Sasha and alive in my heart and Spirit. Eight September Kathy and I registered our marriage license/certificate in county Jefferson, state of Colorado. We met my Children for lunch at On the Border, a Mexican restaurant at Denver West. It very nearly broke my heart when it came time to hug and kiss them goodbye outside on the concrete sidewalk amongst parked cars and traffic, traffic, others going by and by. I hid behind the round dark holes of my sunglasses (sneaky glasses, my youngest son, Zedidiah, called them a dozen or so years ago when I first put them on). I wept in the parking lot in the secure cell of Kathy’s car. She touched my shoulder, the only assurance I needed that I was doing the right thing, that which must be done. Words would have gotten in the way. Difficult, to put it mildly, mounting I-25 North, I-80 West, 395 and 44 North and West to our home in California. The woman I love beside me made it possible, gave me the strength, to drive away from my Colorado home and the beautiful Spirits there. As the miles ticked by, 1300 of them, I imagined Kathy and I were pioneers, beating a path for loved ones to follow, that it might be easier for them to visit, return and revisit. Kathy is working and I am writing novels, singing, wrestling with emotions and words, characters more impatient than myself (if that is possible). It will never feel right, moving away from my Children, for an hour, a day, a year, a moment. Life is a wheel; it goes round and round and round and round. We are strong, always together in our hearts. We cannot and will not be separated. Always, forever, my background conversation, mantra is, “Daddy’s coming home.” And one day soon, he’s bringing the bride of his life with him. “You Are So Beautiful” by Joe Cocker played as Kathy walked up the aisle toward me. After the ceremony, arm in arm, we walked the path back, exultant, ecstatic, accompanied by the voice of Billy Idol. That bad boy got it right. It was a nice day for a white wedding, a nice day to start again.
 
Sometimes I Feel
07.15.06 (7:31 pm)   [edit]
I ‘ve been a player and singer in rock bands for three decades. I wrote songs for bands before I did any other kind of writing. My son learned to play guitar about the same time he learned to walk. I don’t do bars anymore and I wonder what keeps me singin’ until something happens like the other night. My son, Tommy (who is now twenty-seven years old), has a studio at his house and I went over to lay down some tracks on a CD he’s helping me with. Matt, a guitar man with whom I played in bands for twenty-five years, came over to trade some riffs with Tommy. There was obvious conflict between them and I, very much out of character, stood back and watched. I wondered how it would work out, the gray beard and the young lion armed with axes and bracing the wall. Matt was half stewed when he showed up and continued to chug beer after beer. He toodled around with some old guitar band music, throwing howling laments across the room. Tommy stayed in the groove of what he describes as his own cutting-edge original sound and hurled his fair share back. Troy, my son-in-law and drummer, would just about get a beat picked out on his Roland electric drums, then those guitar men would switch tracks and carry that music train away. I got tired and began to pack my PA system and harmonicas away. I know all about guitar players and the misty shades of dawn. Matt was ‘sitting on a stool’, pretty much all the way drunk now. He was finger pickin’, doodling around on his Les Paul. He began to pick a rhythm, almost country and, to my surprise, Tommy joined in on the bass guitar. Troy began the process of uniting the guitars through the awesome mystery (to me anyway) of percussion. I watched them for fifteen minutes as the power of the piece grew. Tears came to my eyes and goose flesh claimed the surface of my skin. The three of them had given themselves over to ‘the danse’. I backed into a far corner, lest I interrupt with a shout of silence. I waited fifteen more minutes to see if Matt would give voice to the music. I had heard somewhere that he had started singing and didn’t want to step on his toes. He gave me that ol’ sixpack smile of his and shrugged his shoulders. Hands shaking, I took pen and paper from my war bag. I powered up the PA, clicked my cordless mic on, and stepped into the danse. I scribbled down the first few lines I could pick from the air, then allowed my voice to bleed into the haunting spaces between the instruments. “I been up that road (I stopped, felt it my bones, that it was time to wait); “And I been down so very damned long” (pause again); ‘I been almost right” (oh yes, the longer pause); “And I been, I been so wrong.” Matt gave me that look I have seen in the for ever of my music. The switch-up was coming; they were heading for the bridge. I turned around and faced the wall. What do I do? I don’t know what to put in here... the chorus.. what? Panic... they’re rolling, these musicians of beat, chord, and note. I am the word man. I’m supposed to know what’s next. Then I did what I have done a thousand times over the years. I closed my eyes and crawled out of my brain. The energy of the moment was mine. All I had to do was reach up into that space just beyond my fingers and pull it down to me. A tear created its own path down my cheek as I fell to one knee. The chorus, crushed forever inside me, burst forth and passion issued from my lips: “Sometimes I feel... I feel like cryin’. Sometimes I feel... I feel like singin’.” The instruments overrode me and, in their insistency, I understood, the next few moments were theirs and theirs alone in this danse, this making of love, to the moment, the air. She owned us, this mistress and her urgent flow of energy, surging and swirling between and around us. And they came down. Yes, like warring angels, they sped to a cushion of peace. What now, Mister Word Man, what now? My other knee found the floor and I surrendered my all to a breathless pause. “Like I can’t stand” (wait... wait..). The musical spiders are weaving their magick silken chord voices... “I’m a man.” And so it went... a new musical Child was born. My bar room days are over. I miss those old players and riders. I might never see my buddy Travelin’ Matt again but we wrote some kick ass songs, me ‘n him, and sometimes I feel. For that night and maybe one or two to come, I am determined to write and sing for the rest of my unnatural life. Here’s the rest of the song. I’ve been here before and I’ve been in other places I just got started then I lost too many faces {Chorus} There’s a ride I missed a few I shouldn’t have taken Yeah, my heart has sung It’s been on the wrong side of breakin’ {Chorus} I’ve been fallin’ down I’ve picked myself up again The best part of me ain’t no third party sin {Chorus} I look in your eyes I am lost to all the rest There s a fire there You’re the worst... you are the best Chorus} This song may be sampled or downloaded at TrueFire: http://truefire.com/list.html...
 
Night Fires
05.21.06 (10:10 am)   [edit]
Night Fires We gathered in smoke rooms spoke in loud voices and hushed whisper asides Music was our universe a collective endeavor the blending of chord and discord the madman shrieking and crooning laughing at death when it entered the room Opium wars sustain us They are the philosophy of emperors and the coinage of thieves At three o’clock on a summer afternoon of his life, she came to him with her hungry lips and sparkling eyes His hands made circles found pleasure in the flaws of her flesh She was the woman of his danse the promised creature of his See Their lives exploded on the mattress Ecstasy is a mean judgment in its power to diminish all other moments to little consequence When the tiny bird flew from his hand his heart cried that it would go Even so, his Spirit thrilled at its magnificence a-wing in total acceptance of its freedom Joined by others of its kind the tiny bird was lost to him in a cloud of feather dust The cage of his owning, empty he set reverently on the trash heap stared sadly at his naked hands The yardsticks of our lives are a measure what is lost Out ability to survive is a matter of acceptance the complicated courage required to simply learn to let go All we have is what we don’t Children of the Earth are we only what we learn to be and choices, damned and blessed in a human maelstrom of choices Each sinew of the woman the excitement of her desire are an essence hard-wired welded to his super-consciousness Spine tingling and nerve-wracking the brain bowl shudders Fingers and toes reach to hold Heat, heat, and losing his grip What if she doesn’t; what if she does The room is hazy, aflutter He drops his mind on the floor Never mind she doesn’t because she does Trains pounding down the rails are backbeats of centuries uncertain and chaotic rhythm whistles howling through the crossroads graffiti from Billings and Spokane adorning iron packages, announcing We got coal mountains, we got Counting cars, one hundred and thirteen remembering the clang, drop stick down What if I just don’t stop counting cars, one hundred and thirteen We gathered ‘round the stone circle Children running and chasing trails of new breath on the chill night awaiting the Keeper of the Flame Gatherers filled the stone circle with offerings from our Tree Friends The Keeper arrived with his magick The Seer told us her stories Children laid their heads on our breasts They slept and we made love tending our night fires, awaiting dawn © 2006 Tom (WordWulf) SternerHowe
 
Momma's Rain by Tom (WordWulf) SternerHowe
08.12.05 (5:00 am)   [edit]

Momma’s Rain has just been released by Gatto Publishing. Check it out at: http://www.gattopublishing.com/" title="http://www.gattopublishing.com/" target="_blank"http://www.gattopublishing.co...


The novel is available as an e-book and also on CD.  The CD version is complete with nine songs written and performed by the author.  If you’re interested, the first chapter and an interview with the author may be viewed at: 


http://mommasrain.4t.com/about.html" title="http://mommasrain.4t.com/about.html" target="_blank"http://mommasrain.4t.com/abou....  You may sample the music at: http://truefire.com/list.html?store=original_music &" title="http://truefire.com/list.html?store=original_music &" target="_blank"http://truefire.com/list.html...;viewauthor=3554


Songs included on the CD are: Death in Small Houses, Haunting Me, Farewell Captain Charlie, Of Lips, Mother, and Wine, I’m Bound to Ride Again, Slay the Dragon, Legend of New Horse, Cold Winter Eyes, and Curse of Days.


 


Momma’s Rain


American Camp:


Frail Monsters/Wounded Souls


begins the saga of a destitute family, during the 50s, struggling with abuse, tragedy, and the demons within themselves. Adults who tend to steer towards the complicated grittier side of literary fiction, hard-boiled and up-close, will appreciate SternerHowe's latest work.


 


The story opens with seven-year-old Tim, the protagonist and narrative voice in the book, escaping into the cellar of his family's run-down rental home, away from the horrible scene of his brother Jerry's abuse at the hands of their father. When he finally makes a return to the kitchen, his mother discovers his hiding in the basement and aims to soothe his worries while defending her husband's actions.


 


The next morning, Tim's brothers are missing. He and his mother set out in the cold to search for them, without his father's assistance. Tim conditionally gathers discarded cigarette butts for his mother as he usually does – the only act that keeps his mind from believing something horrible has happened to his brothers.


 


By the third day of their disappearance, Jerry and Peter are caught stealing from a store and are brought home by the police. Due to the awful publicity of their father being a suspect and not being able to keep up with rent payments on their home, the family returns to their hometown.


 


Their arrival at Denver, Colorado establishes them within the home of the father's sister, Phyllis, and her husband, Jer (whom young Jerry is named after and is the recipient of his uncle's fondest affection.) In a reversal, it is now Tim who suffers ill feelings and abuse by the hands of Uncle Jer.


 


The boys are registered in school, and Tim finds solace in the only friend he has, his cousin Mary Lou. She tries to help Tim cope with her father and adjust in school. However, when Tim is severely humiliated and punished in class, his mother removes her children for a few days after giving the principal an earful and displaying her true loving nature for her kids.


 


Finally fed up with her situation, she arrives at the school one day with packed luggage, gathers her children, and flees to a nearby train station; they're bound for Saint Louis, Missouri, where she's offered a room in a boarding house and a job as a waitress. Soon, she becomes romantically involved with Uncle Jer, and his presence is, once again, Tim's damnation. Only when his mother sees blood on his T-shirt one day, she discovers the abuse that's been going on and orders Jer to leave permanently.


 


Mother and children are on the move again, this time with her sober husband. The family attempts to escape the temptation of returning to their former lives by relocating to Montana. Although the father finds work fixing roofs, it's not enough to make payments; the family is evicted from one housing complex to the next until they are finally established at an apartment building.


 


One day, it catches fire – mother and children are faced with a time-sensitive issue of trust. The only escape is to jump out of a window, and Tim's father begs his family to trust him one more time.


 


Children do not hate. They love and hope. Theirs is not a will to avenge but a passion to survive. There's courage and inherent sadness, a truth that children must strive to repair their broken parents and, in so doing, may just save themselves.


 

 
Insights Out of Doors
06.14.05 (5:10 am)   [edit]

Insights Out of Doors 


 


A late spring, early summer day


I open the garage door


sit in my favorite chair and light a cigar


There is the noise of thunder overhead


No, a tremendous galloping across the roof


A gang of squirrels (I count twenty)


fly into a nearby aspen


Chu-chu-chuttering in squirrel-speak


They charge across the street en masse


and scale the neighbor’s chain-link fence


 


A blue jay, resplendent in ceremonial masque


alights on the back of my pickup ten feet away


stares at me in its one-eye-at-a-time


wise and wonderful, birdlike way


I say, “How ‘bout those squirrels?”


The jay swoops over the cab of the truck


lands on a roof just over there


proceeds to join me watching the squirrel hordes


who are playing ‘King of the Mountain’


toppling each other from the top rail of the chain-link


 


It’s eleven a.m. and a fine mist of rain is falling


A morning dove coos a magnificent


accompaniment to the squirrels’ antics


A host of crows, blue-black, aflutter


claim spaces on the top rail


Sparrows follow in their wake


fill a dozen or so chain-link diamonds


with their tiny darting bodies


The squirrels pay no attention, continue to frolic


The birds take wing, fly back to the trees


where I can’t see them again


 


The neighbor to the west of me


a wise man and sage poet


according to reports from my wife


arrives with a can of gasoline


and soon begins the chore of mowing his lawn


I am annoyed at first


because I can no longer hear the dove


but, as with the birds


the squirrels pay no heed his man noise


Enter the boy across the street


a bothersome and precocious Child


He slams the gate and waves his arms


laughs uproariously as the birds rise in waves


and the squirrels take flight


They charge into my front yard


where they bounce through the boughs


of the crabapple tree


 


They’re too close for me to watch now


but movement in the chain-link


alerts me to the fact


that the sparrows have returned


Their heads bob up and down


I am lost to their wild rhythm


They remind me of nature’s rendition


of Hollywood Squares


This space was filled with my Children


and GrandChildren a week ago today


I remember as I watch the wind


toy with the graduation decorations


so lovingly hung by my daughters


in celebration of their younger brother’s accomplishments


 


I was chasing my GrandSons round and round the yard


lifting them into the back of my truck to play


pushing them high on the wooden airplane swing


given me by my Father-in-law


tied to a stout limb in the apple tree


My boys and girls had a water fight


splashed their way through the afternoon


A bit like the squirrels


so rapt was I in the joy of life


that I didn’t notice my fellow creatures


I’ll bet they were watching though


quick-eyed and curious


as we did that thing they do so well


spread ourselves joyously across


a perfect and delightful, pre-summer


Colorado day


 


The boy’s father across the street


has begun to clean his bright red Dodge


The drone of his vacuum cleaner wakes me


A large black feral cat


struts through the flowerbed next to the chain-link


and effectively clears the deck


Squirrels and birds alike


take to the trees and give him hell


A cop in an SUV idles by


stares over his sunglasses at the man in the garage


He’s too cool to wave and so am I


It is the weigh of things


say the crow to the sparrow, caw caw caw


and the feral cat climbs into my lap


 

© 2005 Tom (WordWulf) SternerHowe
 
Of Lips, Mother, and Wine by Tom WordWulf SternerHowe
04.02.05 (9:59 pm)   [edit]

Of Lips, Mother, and Wine 

 

I will build you a house
and a garden of bones
where Children go laughing
and men live alone.
I’ll tell you a story
of lips, mother, and wine.

 

From the mouths of mime puppets,
a tumble of words,
tied to the feet
of whistling birds.
A tangle of whimsy
to lay on your breast,
whose eyes taste the winter
and none of the rest.
I’ll tell you a story
of lips, mother, and wine.

 

When ere we go crawling
on feathering knee,
through long shadow canyon,
a cloud scattered sea.
See...  make a pillow,
a death reminisce,
of lovers gone falling
to steal a sweet kiss.
I’ll tell you a story
of lips, mother, and wine.

 

I will build you a house
and a garden of bones,
where Children go laughing
and men live alone.

 

 
Sometimes I Feel by Tom (WordWulf) SternerHowe
02.28.05 (6:38 pm)   [edit]

Sometimes I Feel


 


I have been a player and singer in rock bands for three decades.  I wrote songs for bands before I did any other kind of writing.  My son learned to play guitar about the same time he learned to walk.  I don’t do bars anymore and I wonder what keeps me singin’ until something happens like the other night.  My son, Tommy (who is now twenty-seven years old), has a studio at his house and I went over to lay down some tracks on a CD he’s helping me with. 


 


Matt, a guitar man with whom I played in bands for twenty-five years, came over to trade some riffs with Tommy.  There was obvious conflict between them and I, very much out of character, stood back and watched.  I wondered how it would work out, the gray beard and the young lion armed with axes and bracing the wall.  Matt was half stewed when he showed up and continued to chug beer after beer.  He toodled around with some old guitar band music, throwing howling laments across the room.  Tommy stayed in the groove of what he describes as his own cutting-edge original sound and hurled his fair share back.  Troy, my son-in-law and drummer, would just about get a beat picked out on his Roland electric drums, then those guitar men would switch tracks and carry that music train away.


 


I got tired and began to pack my PA system and harmonicas away.  I know all about guitar players and the misty shades of dawn.  Matt was ‘sitting on a stool’, pretty much all the way drunk now.  He was finger pickin’, doodling around on his Les Paul.  He began to pick a rhythm, almost country and, to my surprise, Tommy joined in on the bass guitar.  Troy began the process of uniting the guitars through the awesome mystery (to me anyway) of percussion.  I watched them for fifteen minutes as the power of the piece grew.  Tears came to my eyes and goose flesh claimed the surface of my skin.  The three of them had given themselves over to ‘the danse’.  I backed into a far corner, lest I interrupt with a shout of silence.


 


I waited fifteen more minutes to see if Matt would give voice to the music.  I had heard somewhere that he had started singing and didn’t want to step on his toes.  He gave me that ol’ sixpack smile of his and shrugged his shoulders.  Hands shaking, I took pen and paper from my war bag.  I powered up the PA, clicked my cordless mic on, and stepped into the danse.  I scribbled down the first few lines I could pick from the air, then allowed my voice to bleed into the haunting spaces between the instruments.  “I been up that road (I stopped, felt it my bones, that it was time to wait);  “And I been down so very damned long” (pause again); 


‘I been almost right” (oh yes, the longer pause);  “And I been, I been so wrong.” 


 


Matt gave me that look I have seen in the for ever of my music.  The switch-up was coming;  they were heading for the bridge.  I turned around and faced the wall.  What do I do?  I don’t know what to put in here...  the chorus..  what?  Panic...  they’re rolling, these musicians of beat, chord, and note.  I am the word man.  I’m supposed to know what’s next.  Then I did what I have done a thousand times over the years.  I closed my eyes and crawled out of my brain.  The energy of the moment was mine.  All I had to do was reach up into that space just beyond my fingers and pull it down to me.  A tear created its own path down my cheek as I fell to one knee.  The chorus, crushed forever inside me, burst forth and passion issued from my lips:  “sometimes I feel...  I feel like cryin’.  Sometimes I feel...  I feel like singin’.”


 


The instruments overrode me and, in their insistency, I understood, the next few moments were theirs and theirs alone in this danse, this making of love, to the moment, the air.  She owned us, this mistress and her urgent flow of energy surging and swirling between and around us.  And they came down.  Yes, like warring angels, they sped to a cushion of peace.  What now, Mister Word Man, what now?  My other knee found the floor and I surrendered my all to a breathless pause.  “Like I can’t stand” (wait...  wait..).  The musical spiders are weaving their magick silken chord voices...  “I’m a man.”  And so it went...  a new musical Child was born.


 


My bar room days are over.  I miss those old players and riders.  I might never see my buddy Travelin’ Matt again but we wrote some kick ass songs, me ‘n him and sometimes I feel.  For that night and maybe one or two to come, I am determined to write and sing for the rest of my unnatural life.  Here’s the rest of the song. 


 


I’ve been here before


and I’ve been in other places


I just got started


then I lost too many faces


{Chorus}


 


 


There s a ride I missed


a few I shouldn’t have taken


Yeah, my heart has sung


It s been on the wrong side of breakin’


{Chorus}


 


I’ve been fallin down


I’ve picked myself up again


The best part of me


ain’t no third party sin


{Chorus}


 


I look in your eyes


I am lost to all the rest


There s a fire there


You’re the worst...  you are the best


Chorus}


 


This song may be sampled or downloaded at TrueFire:


http://truefire.com/list.html?store=original_music &" title="http://truefire.com/list.html?store=original_music &" target="_blank"http://truefire.com/list.html...;viewauthor=3554&item =4887


 


Madman Chronicles: The Warrior now available at:


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To discover the most dangerous writers alive, go to www.howlingdogpress.com and www.howlingdogpress.com/OMEGA.


There, in OMEGA 4, Weapons of Mass Deception, you will find a selection of poems by Tom (WordWulf) SternerHowe.


Websites: http://tomsternerhowe.freeservers.com" title="http://tomsternerhowe.freeservers.com" target="_blank"http://tomsternerhowe.freeser...


 http://pages.prodigy.net/sterner-howe" title="http://pages.prodigy.net/sterner-howe" target="_blank"http://pages.prodigy.net/ster...

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I Would by Tom (WordWulf) SternerHowe
02.22.05 (5:59 pm)   [edit]

I Would 


 


If I could be a pillow,


a safe place


to lay me down your grief,


I would.


 


If I could be a basket,


I would gather all your sorrow,


cast it out into the seven directions,


I would.


 


If I could be a fountain,


I would flow with you


through the seven waters of your soul.


I would always be your friend,


I would.


 


Madman Chronicles: The Warrior now available at:


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To discover the most dangerous writers alive, go to www.howlingdogpress.com and www.howlingdogpress.com/OMEGA.


There, in OMEGA 4, Weapons of Mass Deception, you will find a selection of poems by Tom (WordWulf) SternerHowe.


Websites: http://tomsternerhowe.freeservers.com" title="http://tomsternerhowe.freeservers.com" target="_blank"http://tomsternerhowe.freeser...


 http://pages.prodigy.net/sterner-howe" title="http://pages.prodigy.net/sterner-howe" target="_blank"http://pages.prodigy.net/ster...


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Flame by Tom (WordWulf) SternerHowe
02.21.05 (6:58 pm)   [edit]

Flame


 


Pushing words away


lest they eat my sleep


become the only part of me


devour those golden hours


which amount to the rest of me


yes, away with dreams and all that seems


possessed to make an end to me


 


Anesthesia is an art


to which I might at once lay claim


a shallow grave divided


I might just lay between


some token awareness consciousness


which came first coffee or cream


blackout describes the best held dreams


 


I lit a candle to threaten the stars


but nobody’s laughing in this wayward place


would someone put out the light


stop this ringing in my ears


I am not afraid of the night


but see what is done in the light of day


no...  don’t take my candle away


 


© 2005 Tom (WordWulf) SternerHowe


Madman Chronicles: The Warrior now available at:


http://www.publishamerica.com/shopping/shopdisplayp roducts.asp?catalogid=3425" title="http://www.publishamerica.com/shopping/shopdisplayp roducts.asp?catalogid=3425" target="_blank"http://www.publishamerica.com...


To discover the most dangerous writers alive, go to www.howlingdogpress.com and www.howlingdogpress.com/OMEGA.


There, in OMEGA 4, Weapons of Mass Deception, you will find a selection of poems by Tom (WordWulf) SternerHowe.


Websites: http://tomsternerhowe.freeservers.com" title="http://tomsternerhowe.freeservers.com" target="_blank"http://tomsternerhowe.freeser...


 http://pages.prodigy.net/sterner-howe" title="http://pages.prodigy.net/sterner-howe" target="_blank"http://pages.prodigy.net/ster...

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Birds I View by Tom (WordWulf) SternerHowe
02.19.05 (5:05 pm)   [edit]

Birds I View 


 


Whomever hears a choir


must needs long for Noel


just so...  those inclined toward


the voices of birds


listen for Spring


as one might any day sing


yet exalt in the clamor


of rich pitch soprano


and tenor rising


on alto bass legs to soar


all ways speak an air of wing


 


There were five this morning


whose dark coat raven


one more bearer await the pall


together badger the hawk


make a meal of its prey


caw caw caw the hunter


they strut in magnificent jest


whose eyes four hundred years


they live each and longer even


unimpressed by fate


scavengers and better for it


 


Such are the birds I view


gray tongues wagging lament


threatening at once to land


that the sky would fall


to bury its stick pins


ebon cloak name night


these bits of blue/black


lift the mantle and fear not


that gone unexplained


its quick reason a dark bead


such are the birds eye view


 


© 2005 Tom (WordWulf) SternerHowe


 


Madman Chronicles: The Warrior now available at:


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To discover the most dangerous writers alive, go to www.howlingdogpress.com and www.howlingdogpress.com/OMEGA.


There, in OMEGA 4, Weapons of Mass Deception, you will find a selection of poems by Tom (WordWulf) SternerHowe.


Websites: http://tomsternerhowe.freeservers.com" title="http://tomsternerhowe.freeservers.com" target="_blank"http://tomsternerhowe.freeser...


 http://pages.prodigy.net/sterner-howe" title="http://pages.prodigy.net/sterner-howe" target="_blank"http://pages.prodigy.net/ster...

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Writes of Spring (The Madnesses)
02.18.05 (8:24 pm)   [edit]

Dear Reader,


 


 


Looking into faces of choir


whose voices reach, pass us through


more each the crowd


tone upon tone upon tone


delicious...    & nbsp;  


 


The Madnesses:


Writes of Spring


 


Love.  Ah yes, what else is there in the Spring...  youth..  the bloom of youth on love’s face.  A poet would name it so and never Summer, that lustiest season of all.  The rebirth of all things cries out regeneration, reaching to the Sun, a smoldering fire.


 


A scent of lilacs in the city and country hay alfalfa are the stuff of sweet dreams, each purple shade an infancy of desire.  Memories serve and quiet us not of a Springtime scent.  First he wonders, will she speak; then, oh my, what will I say...  through a dribble of drool sweet day.


 


She wonders at him, silly boy.  Her hand longs to be held.  She blushes for him in his state of stutters.  He concentrates on the top of her head, her angel’s hair, ‘til his lips make her name.  She is all flustered, then blushes a bit for herself.  Her hand longs to be held, what else..


 


Nearby, robins danse, strutting red breasts apart, heads bobbing, eyes on eyes, ebon orbs rapt; a primordial wreath hung between them.  White moths flutter in mist haloes above swaying blades of grass.  Gardeners guard darling sprouts array.  Bicycle Children stop to dap stones on still waters’ face.  The voyeur falls off his bench.


 


Our soon lovers go each apart to their homes where true madness begins.  His dinner untouched, an unprecedented event; mother cannot imagine what has caused his vacant-eyed and feverish mien. She has experienced these phenomena but never outside her personal sphere.  She lies him down, an ice-pack on his forehead and wonders the matter. 


 


Our girl is a-dither.  She flits about, her wandering way a path butterflies might find cause to follow.  Glass and mirrors give her pause, serve to verify what she saw in his eyes.  Father sends her to her room, admonishes her to settle down, sits in his worry chair and wonders the matter.


 


These three have marked time, the girl and boy, and poet voyeur.  By some fantastic coincidence, the very next day, they are found in their same places.  The young couple walks, her woman-girl voice a merry verse to the poet.  He is portly come stately, his stage-prop a cane which he twirls a couple of times as he meanders a wander to follow. 


 


Her voice at once disarms the boy, challenges and forbids him.  A Spring breeze plays tickle with his hairline beads of sweat.  He thinks maybe he should ask her but there is no room between her chatter. For this he is both thankful and confused.  He bites his tongue while his hand takes a mind of its own.  It actually touches her fingers.  She responds with a squeeze and the next thing you know..  they are walking hand-in-hand.  This delicate, exotic, angel creature has, in a single gesture, answered every prayer, each and only, the wishes of his heart. They stop as our aged poet drops his cane and claps his hands.  Eye to eye, the three are one, a primordial wreath hung between them.  Our poet bends to pick up his cane, back complaining.  By the time he is erect, they are moving, swaying together in the dapple shade of budding trees. 


 


He finds a bench, a bit of shade for himself, squints his eyes, the more to see.  They are face to face, hand to hand to hand to hand.  She thinks, maybe a kiss, maybe a kiss my first.  Our boy thinks the same, of course.  Then realizes he has cut his tongue, a tiny bit of copper-warm blood, reassuring somehow.  Will she come tomorrow, he asks.  I have a walk each day, she confides.  Me too, he smiles...  same time?  She is shocked to see herself so in his eyes, skips away.  A flirting glance back, we’ll see.


 


Our poet watches them go their ways, then bends to the scrawls in his notebook.  A chuckle of youth borrowed slips past his lips.  His cane in the crook of an arm, there is an uncharacteristic spring in his step as he returns down the path.  No need to wonder the matter.  He smiles to himself, imagining the words, the end he will write to this piece, the sharing of lovers, his wonderful madness, its spiral web of time.


 


----


 


© 2005 Thomas Paul {WordWulf} SternerHowe


Madman Chronicles: The Warrior now available at:


http://www.publishamerica.com/shopping/shopdisplayp roducts.asp?catalogid=3425" title="http://www.publishamerica.com/shopping/shopdisplayp roducts.asp?catalogid=3425" target="_blank"http://www.publishamerica.com...


To discover the most dangerous writers alive, go to www.howlingdogpress.com and www.howlingdogpress.com/OMEGA.


There, in OMEGA 4, Weapons of Mass Deception, you will find a selection of poems by Tom (WordWulf) SternerHowe.


Websites: http://tomsternerhowe.freeservers.com" title="http://tomsternerhowe.freeservers.com" target="_blank"http://tomsternerhowe.freeser...


 http://pages.prodigy.net/sterner-howe" title="http://pages.prodigy.net/sterner-howe" target="_blank"http://pages.prodigy.net/ster...


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Madman Chronicles: The Warrior - Reviews & Chapter One
02.15.05 (4:26 pm)   [edit]

A compelling read!   
Daniel Meyer
Texas
  (12/27/2004)


An epic and compelling adventure. An artful blending of motorcycles and the unique souls who ride them, clashing cultures, family love, the loyalty and honor of friends, stunning betrayals, and inconceivable evil all swirling in a land teetering between apocalypses. Join Wulf as he leads his people into the labyrinth, part of which is a futuristic underground habitation that just might be their salvation...or something much, much more.


Excellent!   
Sherry
Vero Beach
  (3/5/2004)


Immerse yourself in this voyeuristic world with a junket through a timeless labyrinth and an abyss of imagination. The book is like an all day multi layered tasty jawbreaker – very complex and delightfully mystical down to the very last bit. The story opens at the conclusion of the world conflict in the year 2010 with Wulf saying a farewell to his loved and trusted friend, Hood. The farewell is an elaborate high ceremony at the Stone Mountains behind the City of the Rock. Wulf is a descendant of the North American Peoples and a member of Lord of the Dragon. He created a community known as the Cave of the Dark Heart. With help from the ancient Book of the See, Wulf along with his staunch companion, genus Cajun Angelo, boldly search for a secure haven for his people. The reader will jump in and out of dreams into nightmares in a flash of a thundercrack. In one mad dream Wulf experiences an intense vision of “ a worm crawled out of her mouth, white and fat, burrowing itself between her bleeding lips, feeding.” Meet the soul hopping Patron who is “fueled by hate and a burning lust for revenge”. There is nothing cookie cutter about this book. It has a distinct style all its own. It is written with an elaborate herculean and provocative style. This book aggressively takes on in limitless futuristic action the very human elements of mistrust, fears, abuse, sex, tenderness, love, and the dynamics in all relationships. This is not a book you can skim. The author vibrantly interweaves creativity, intensity and exquisite detail. Mr. Sternerhowe also provides music that may be downloaded from his site that correlates to the chapters in the book. A unique concept that should not be missed by the reader. The Madman Chronicles: The Warrior offers an adult cerebral momentousness makings of a first rate epic. Sherry Russell Author/reviewer


Warrior,The Madman Chronicles   
Maggie
USA
  (2/10/2004)


Having read just three chapters, I knew I needed to add it to my collection. This is a fast paced, well thought out book with multi themes that require you to read slowly. I am looking forward to its arrival. The characters are not only drawn well, but have had flesh and blood added to them everyone. I am looking forward to the whole book.


Warrior, The: Madman Chronicles   
Christy
Arvada, Colorado USA
  (1/24/2004)


What a ride! I couldn't put it down! The characters are so real that you feel what they feel as if you're one of them (you definitely want to be). This novel keeps you on your toes anxiously waiting for what will happen next! You'll ride a rollercoaster of emotions from cheering to crying! Thanks to this thrill ride I've been to the Great Stone Mountains, the family Wulf spiritual ground, and felt the hope of After Earth. Read this novel and you'll have been there too! I can't wait for the next one! To the author...Word! Wulf!


Madman Chronicles: The Warrior   
Paul
United States
  (12/3/2003)


" Madman Chronicles : The Warrior " By Thomas Paul ( Wordwulf ) Sterner Howe Reviewer : Paul Berube, Author/Poet SternerHowe's novel is a futuristic shocker containing something for everyone. This excellent work of fiction will keep you on the edge of your seat and glued to it's pages from start to finish. Join SternerHowe in this wild ride through the bat and giant spider infested caves of THE LABYRINTH or the beauty of AFTER EARTH. Walk walls with Wulf and Andrew or leap into a soul or two with The Patron. Enjoy the cajun humor of Angelo or the eroticism of Lila and beauty of Jennifer. Cry, laugh, love and sing with the entire cast of characters or just fly through Vera's world of Cyberspace. Whatever your preference you are truly in for the treat of a lifetime. This novel is definitely an outstanding read.


A true man   
Brandie
Illinois
  (11/17/2003)


You will absolutely marvel as you join Wulf in his action packed journey in the not so distant future. Witness the heroics as him and his comrade the Cajun, Angelo perform heroic feats and obstacles. This book is sure to keep you at the edge of your seat just waiting to turn the page. The details make you feel as if you are right there living this adventure with our new found friend Wulf. Thomas Sternerhowe shows great talent and skill in his writings. This is most definitely a book you will want to read again and again!!


 


To my Child... all of them.


 


What follows is a true account to the best of my knowing, a chronicle of


desperate people living in a desperate time, held together by the haunting


auspice of hope, a proud People unwilling and unable to give up and


finally...unable to forgive. The right and true names of persons and places,


timelines, have all been changed to protect the guilty. So falls the warrior


down.


 


 


Counting the dead


in the eye of the dragon


tear stains


blood


 


Chapter One


Farewell to Hood


 


Once and forever blooded.


Never mercenary... forever tired


 


After the Great Conflict Wulf’s friend, Hood, was buried with high ritual


ceremony. At the conclusion of the conflict a final body count was made.


Hood was on the list of the missing. After two months of no contact and the


body never having been found, he was considered missing in action and


presumed dead. Over five thousand soldiers gathered, representative of all


of the thirteen tribes of the Cave of the Dark Heart. They appeared at the


gathering place in ones, twos and tens. At the time of leaving they made way,


riding two abreast. Snaking through the city at the feet of the Great Stone


Mountains, over five miles of unleashed lightning and thunder, they made


way. Never had the gooseflesh claimed Wulf as it did that day. Five thousand


hearts strong, he felt them breathe as one. As they mounted their steel dragons


he felt himself swallowed by raw sound, pure muscle and blood, mechanical


fury. He was lost to those moments as he had never been lost before, drowned


in a living flood of roaring engines, brotherhood and tears. Wulf was only a


man, a man born to the See...


 


They rode high into the Stone Mountains behind the City of the Rock.


When they reached the top and at the moment of the rising of the sun they


tore a hole in Mother’s skin, their hands bleeding into her. Hood’s favorite


dragon was brought forth, black and silver, flames burning on her smooth


skin. His riding leathers, boots and favorite personal weapons were tied to


her sides. She was wrapped in chains and ten men made a solemn procession


as they bore her to her final place of rest. She was lowered slowly into the


warm embrace of the earth.


 


Then a viewing was made and five thousand men dropped pieces of


themselves into the earth that she would not walk the other side alone,


searching for her lone rider. The Lords of the Dragon would be with her. She


would have maps and words, messages from those who had loved him and


fought beside him, golden keys for her gates. Wulf cut all the hair from his


head and face. On top of this he dropped six ears severed from the heads of


their mutual enemies. Finally... a golden tear from the trap at his throat and


the leather strap and worn buckle from the shifting leather of his favorite


fighting dragon.


 


Hood was one of the twelve who had shared with Wulf the mystery and


challenge of the House of Discipline as eleven year old children, facing one


another and the other eleven chosen each and every day for seven solid years.


For twenty- five years they had ridden, fought and loved as brothers of the


blood. Wulf had combed the field of battle inch by inch, searching for his


friend. It was unbearable for him to bid farewell to Hood’s empty suit of


armor... but he was gone... The ritual and offerings devoured all of the first


day and half the night. In the midnight, under the cold light of a hard full


moon, the hole was sealed... to be healed.


 


Wulf found a smooth stone bathed in the full light of the moon. He rubbed


and cleaned it with his bare hands and tears falling, chanting over and over...


“Ty Ke Yi Yut Te... Ke,” the death song of the Cave of the Dark Heart. He


knelt in the center of the grave, taking two tiny glass vials from a small


leather bag on his belt. One vial contained a dark-colored liquid. Wulf


uncapped the vial and drank deeply, consuming half its contents. He then


recapped it. The other vial was full of the white staying-powder of war. Wulf


opened it and laid a thick line of the fine white crystal substance across the


blade of his field knife, again leaving the vial half full. He paused in his


chanting and inhaled the powder through his nostrils, cleaning the blade


with his tongue, then driving it deep into the earth in the center of the grave.


He continued chanting... “Ty Ke Yi Yut Te... Ke.” With his thumbs he pressed


the vials into the freshly turned earth on each side of the blade. He held the


moonstone in both of his hands, turning and caressing it. His chant became


louder, more intense, his kneeling body rocking back and forth with the


rhythm, the sound and strength of his voice, a voice both beautiful and mad.


It became a keening thing, wailing, disembodied and howling forth as he


raised the stone of the moon high over his head. With a final gut-wrenching


scream, he brought the stone down with all his weight, burying the blade and


vials beneath it. He stood slowly, reverently, backing away, whispering, “Ty


Ke Yi Yut Te... Ke.” His eyes wild and uncomprehending, he collapsed at the


edge of the circle of men surrounding the grave.


 


The Captain of the Guard made a chopping motion with his arm and


explosives were detonated causing a small mountain of stone four times


Wulf’s height of six feet to fall on top of Hood’s grave. The silence of five


thousand fighting men paid quiet homage to the humble pile of stone standing


as a shrine over the tomb of Hood. Many brothers, Wulf included, wrote


messages of farewell in their own blood on smooth faces of the stone. Wulf


made a haiku:


Soldiers


Across the dark night,


once and forever blooded,


we are bleeding still.


 


After the explosives and writing of the blood many great fires were made.


The families, women, Children and elders of those mourning, were coming


to join the warriors of their blood. At first sight of the fires, a prearranged


signal, they made a caravan and sometime later began to arrive. They made


a grand feast and celebrated with wines, bitter dark beers and the peace of


the smoking pipe.


 


For seven days and seven nights they reinvented, remembered and relived


their lives and times with the Hood. They praised and cursed him, laughed


for him and cried. Most of the men remained awake throughout with the aid


of the fine white waking-powders manufactured for the long nights of the


war.


 


Finally, exhausted and spent, they rode five thousand strong into the


seventh night. Across one hundred and fifty miles, riders split off in ones,


twos and tens to make warm the fires in the caves of their homes. Having


been host of the event, Wulf rode the circle. He took the Nomads and those


who chose to linger with him to his home outside the City of Stone. His


children made them welcome, all seven waiting expectantly for the arrival of


their Father. One more night the men sat up, telling the younger ones of the


ritual and glory of the man they laid to rest, Wulf with a Child on his lap the


entire time.


 


After a few days of rest the men fell into a routine as most men do. They


would spend the days attending to the needs of the dragons, formulating


future plans of rendezvous, trading stories and secrets. They would ride across


the long nights, into the City of Stone and other small mountain towns where


they would attend the drinking rooms, cards, games of chance. Their favorite


recreation by far was gathering in the smoky rooms, underneath the low


lights, where the night ladies made their danse.


By the second week of Autumn the last of the Nomads bid Wulf a fond


farewell. His final guest, a Cajun by the name of Angelo, made the decision


to winter in the City of Stone. He endeared himself to Wulf in his own peculiar


way, “‘Sides mon ami, I got nuttin’ goin’, we be mekkin’ dis a coo’ winter. I


done made up m’ mind!” Wulf insisted Angelo stay in his home, which was


only a couple of miles outside the city proper.


 


© 2005 Tom (WordWulf) SternerHowe


Madman Chronicles: The Warrior now available at:


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To discover the most dangerous writers alive, go to www.howlingdogpress.com and www.howlingdogpress.com/OMEGA.


There, in OMEGA 4, Weapons of Mass Deception, you will find a selection of poems by Tom (WordWulf) SternerHowe.


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An American Valentine
02.14.05 (6:49 pm)   [edit]

His eyes are closed


and a tear


runs down his cheek


It gathers


in the filth on his face


makes soft mud there


His rifle


leans against his left shoulder


butt to the ground


its bayonet


gleaming hard and steel


through the liquid red


of new blood


running


running down


to stain the gray cloak


of his uniform


 


His eyes open


and he looks down and down


upon the body


of his just-slain enemy


Blue material


absorbs and hides


the blood much better


he thinks


laughs hysterically


He reaches inside the shirt


of the dead soldier


searching


sobbing


and there he finds


a large red paper heart


adorned with real lace


and fine spun glass


His weeping is absolute now


He falls to his knees


eyes to the sky


beseeching God


 


He reaches inside his own vest


discovers his own mortal wound


In each of his hands now


he holds a large paper heart


white lace


fine spun glass


and blood fresh of nation


He sees the inscription on each


identical:


“My dearest Johnny”


He bends down low


cries out in his pain


looks


into the dead eyes


of his enemy vanquished


face to face


moaning


live lips


to dead lips


Death’s embrace


he cries


dies


 


© 2005 Tom (WordWulf) SternerHowe


Madman Chronicles: The Warrior now available at:


http://www.publishamerica.com/shopping/shopdisplayp roducts.asp?catalogid=3425" title="http://www.publishamerica.com/shopping/shopdisplayp roducts.asp?catalogid=3425" target="_blank"http://www.publishamerica.com...


To discover the most dangerous writers alive, go to www.howlingdogpress.com and www.howlingdogpress.com/OMEGA.


There, in OMEGA 4, Weapons of Mass Deception, you will find a selection of poems by Tom (WordWulf) SternerHowe.


Websites: http://tomsternerhowe.freeservers.com" title="http://tomsternerhowe.freeservers.com" target="_blank"http://tomsternerhowe.freeser...


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Might Have Said
02.13.05 (7:25 pm)   [edit]

Might Have Said 


 


I might have said I love you


ten thousand echoes reside


Three wandering Moons of Atlantis


conspire to conceal, they hide


the city; my love is a rainbow


whose path is come open and wide


a tumble me down and forever


whistling of prayer, neap tide


 


I might have said who are you


whose sleep I have come to share


far misty mountains abiding


a halo of Sun as they bear


tree Children; my love is a whis’pring


wind through the needles, their hair


Lift me up, I’m a flying man


whose heart is lighter than air


 


I might have said where are you


lonely nights lying awake


a misty gath’ring of shadow


fair ghosts of tomorrow may shake


their heads, my love is a phantom


a cry of hope for their sake


whose spirit may lie in my bosom


a lay me down I would make


 


I might have said I’ve found you


into the face of the night


The Sun, a cascade of falling


makes narrowing pathways of light


A fire, my love is a ribbon


shimmering gem of delight


the body of faith come rewarded


healing caresses ignite


 


I might have said I love you


then finally found your face


the stars, a sprinkling of Heaven


find sorrow and come to erase


the dark, my love is a promise


a choosing of time and place


whose moment I have come seeking


has found me and blessed me with grace


 


© 2005 Tom (WordWulf) SternerHowe


Madman Chronicles: The Warrior now available at:


http://www.publishamerica.com/shopping/shopdisplayp roducts.asp?catalogid=3425" title="http://www.publishamerica.com/shopping/shopdisplayp roducts.asp?catalogid=3425" target="_blank"http://www.publishamerica.com...


To discover the most dangerous writers alive, go to www.howlingdogpress.com and www.howlingdogpress.com/OMEGA.


There, in OMEGA 4, Weapons of Mass Deception, you will find a selection of poems by Tom (WordWulf) SternerHowe.


Websites: http://tomsternerhowe.freeservers.com" title="http://tomsternerhowe.freeservers.com" target="_blank"http://tomsternerhowe.freeser...


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Love Song
02.11.05 (7:31 pm)   [edit]

A Vanishing Face 


 


If truth were a sparrow and I learned to fly


I would never again walk to catch a lie


If moments were forever and days could be years


love was a rainbow and happiness fear


I would drown in a moment of fear every day


color my love with your smile and say


I love you today and yesterday too


only tomorrow will know what to do


I’ll hate you never, love’s kindling feeds the flame


I’ll always hear whispers of your sweet name


 


My clothes may be ragged, these shoes may be worn


My shirt may need washed, these underwear torn


Only the sparrow knows of the seed


dropped down from heaven, our love to feed


Clothes do not matter, the heart tells the tale


Success is not beautiful to those who fail


My love and your love, two hearts as one


Summertime breezes, summertime sun


Remembering touching, the softness was real


No words to express how it made me feel


    & nbsp;   &n bsp;  


Blue eyes turned hazy, a vanishing face


I reach out in vain to be back in that place


I don t really blame you, these bars I can t climb


And I’ll never forget the last time


No, I’ll never forget the last time


 


© 2005 Tom (WordWulf) SternerHowe


 


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To discover the most dangerous writers alive, go to www.howlingdogpress.com and www.howlingdogpress.com/OMEGA.


There, in OMEGA 4, Weapons of Mass Deception, you will find a selection of poems by Tom (WordWulf) SternerHowe.


Websites: http://tomsternerhowe.freeservers.com" title="http://tomsternerhowe.freeservers.com" target="_blank"http://tomsternerhowe.freeser...


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Inner Piece (2)
02.09.05 (7:34 pm)   [edit]

Inner Piece


 


I DECA - Interlude


At dawn they loosen the chains


skin tears steel remains


The jailer spits on the floor


rattles his keys in the door


shines a light prison eye


lines of bars no Earth and sky


makes small talk scratches his ass


belches and passes gas


touches your girl’s picture on the shelf


same hand touches himself


chuckles and locks himself outside


where he is a prisoner and monsters hide


You curse yourself the single tear


and damn the life that put you here


No smokes and filthy screws


 


II Deca


One:    & nbsp;   &n bsp;   &nb sp;  


Drop your ink bottom bottle out


no wellspring of knowledge there


Artisans standing idle attention


fifty guns aimed heart and mind


No mercy shown and faith be damned


they fall then others make the line


Sheol the lady holds them all


abode of darker spaces


Water clear shine like glass


disappears upon the image of itself


Poets human bondage witness


Glass blower’s breath creates a seed


of emptiness wall of need


 


Two:   


A room full of empty persons


whose Children parenting class


must teach that which should be known


drop ball echo soundless void


Sentenced to recovery rehabilitation


assumption of previous culpability


Two nickels and a dime won’t buy


passage in a land of quarters


Four parts the dollar makes us whole


our tiny boats tippy canoe


Babies hiding in the basement


earn us a following of broken dolls


tidy down in four square walls


 


Three:


We are delivered foundling


into a nuts and bolts universe of dread


False light and surgeon’s knife


instruments smile mother’s pain


This nether world of strangers


so unlike we like we


share some thing night living damned


Air no liquid pryzm peace


instance of thorn no rose to hide


These pierced explosive event


birth an altar and death benign


Where the bubble might have been


a shroud held close diaper pin


 


Four:  


They rode a camel through it


hurricane with a woman’s name


She earned a new coat of lies


a jungle of parasites within her skin


The beast rode her and named her


wanton woman who fair chances


Flames inborn and begging ignition


there’s a humpback do it again


The picture is too real


where life is the wrong size to wear


Are we going back there again


Take your picture in the parking lot


pants down shooter gonna get caught


 


Five:   


Pretending Summer lasts all night


lay down beside an open wound


Call it Earth call it mother


Certainty is Sunrise and Moon sleep


There are no certainties human


beings obsessed and certainly damned


lay persons erecting pagoda


trying Gods on for size and effect


Dream and call them a visit


hopeful prayers in the temple


mournful cries of despair


Who is kidding whom they might


scare say boo shift to the right


 


Six:    & nbsp;   &n bsp;   &nb sp;   &nbs p;


In a shouted whisper valley voices


come as soughing willow sighs


uniting pale Summer shoulders


drawing them mountain shrug of days


What minute twists of eon they share


embarrassed cough


behind the hand of Winter


Severe ailment plucky human seed


worn as a garment of fishwife


Rotting wonders does she really care


one Child asleep in her lap


another dead at her withering nipple


She holds them even nurtures the same


what milk unto blood the body game


 


Seven:


With a freshet of Sun in his eyes


a flask of under blanket wine


morning dogs nip at his heels


lips pucker pull nipple flask


and night is come wrested away


His friends call him Jesus in the afternoon


They laugh and fall off the bench


She looks fine behind the shade


Half closed eyes make silhouette


flaws made hiding and undisclosed


table dances with lesser angels


There is black light a view screen snow


sound to match where dancers go


 


Eight: 


Counting the other man’s money


whose sweat is punished falling there


Tainted crisp currency of prophet


seizeless net and write it off


Exercise in the gloom room


hundred pound wait full body press


will eventually push hold you down


The door opens at nine bells


ringing ‘cross tenement concubine


wears a tight load of errant seed


a nest between her legs


Where dead birds go to hide


egg reptile rip her wide


 


Nine:  


She makes breath on the telephone


He decides to carry a loud stick


to protect himself from far woman


There are seven such maladies


Ain’t no wonder the world


and what degree infinity


Taxes those exes from Texas


are all blows beneath the belt


dire sent and thrice meant


as a curse of foul witch


Join the circle swagger


to this wandering Children lost


hearts come the tempest and tossed


 


Ten:    & nbsp;   &n bsp;   &nb sp;  


There are tin men on the radio


found hiding under the knob


a twist of which summons


Served and rightly quashed a People’s Court


Divided net ace after ace


go unanswered sing and follow


the bouncing ball of life after life


Follow come on you follow me down


Violence thrives in the city night


Owls swoop devour wisp of soul scent


as bees bumble sex the flower


Will want decide or noxious need


flora human where demons feed


 


(continued)


 


Madman Chronicles: The Warrior now available at:


http://www.publishamerica.com/shopping/shopdisplayp roducts.asp?catalogid=3425" title="http://www.publishamerica.com/shopping/shopdisplayp roducts.asp?catalogid=3425" target="_blank"http://www.publishamerica.com...


To discover the most dangerous writers alive, go to www.howlingdogpress.com and www.howlingdogpress.com/OMEGA.


There, in OMEGA 4, Weapons of Mass Deception, you will find a selection of poems by Tom (WordWulf) SternerHowe.


Websites: http://tomsternerhowe.freeservers.com" title="http://tomsternerhowe.freeservers.com" target="_blank"http://tomsternerhowe.freeser...


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Inner Piece
02.04.05 (8:05 pm)   [edit]

Inner Piece


 


This work is dedicated to Jesus Christ, Elvis Presley, Jim Morrison, Abraham Lincoln, Friedrich Nietzsche, all those hopeless creative addicts of life.


 


Introduction By Decree


 


Motoring Colorado Ninety-three


Rocky bad ass Mountains to the west of me


a fist full of pink bellied dawn


 


I got no excuses


surrounded by the See


drowning in a mess of pastel hues


scared to death and fluffy as hell


 


Sometimes it’s hard to breathe


a surrounding warp tide


No one trims these grass


bet your damned sweet ass


 


A coyote pulling on a carcass


He’s too skinny to eat in the daytime


flinches at passing cars


Snarls and nowhere to hide


I was mean like that when I was young


still am on a good day


 


Some times I threaten to pull over


go sit my ass on a rock and pretend


I am free of the cares of this world


 


Mister Mountain calls my name


whose snowfields hold my death


some thing to look forward to


I feel them tugging at my skin


I ain’t dead yet damn it


 


There’s a trail of blood


where something heavy was dragged


It’s me I bite down on my black steel gun


I like to kill things


after they have torn and beat me


and left me for dead


 


Prelude


 


It began in the middle of me


I started over learned to be free


erased nurturing holding hands


that I might fall begin to stand


Those close to the pot fingers in


stepped away from my fresh sin


Children of my blood I took


opened up and had a look


I set myself afire away


from the middling heat of the new day


Circled ‘round began to danse


that I might just take a chance


We giggled boys and girls we did


those Children mine and their father kid


Together we just might make it


 



I Deca


One:    & nbsp;   &n bsp;   &nb sp;  


 


Her mouth is open ‘O’


as the choir church doors swing wide


A bird speaks from the fourth chair


what stentorian voice


Frail limbs supporting roles of oration


bind them mouth to beak and more


codependent infirmities


whose might relies note of song


displays a hidden rite of Earth


mystery borne breath of her laugh


Bond of light morning bird cry


where is wed feather hair


arms and wings embracing there


 


Two:   


 


A Sun mounts expectant rise


The boy lifts from his bed of night


May find peace defying dawn


father’s hand his head upon


Tied to the firmament of life


invested and divested


of father’s dream may pass for truth


A son’s reward shallow next


he may seek and find for himself


teach father a path to relent


For a tired Sun needs to lay down


become the one lit other’s Moon


where fire burns the one too soon


 



Three:


She makes a barefoot pilgrimage


weather or not an ice on her toes


the mark Winter Spring delight


Caution rides a feathering wind


Storm dancers pay homage there


is no cold dress for a warm heart


An adult Children always


born solemn and glad become


Spring a sidestep skip away


She makes a giggle in church


slams her father’s midnight door


Cold toes peeking light beneath


Winter blanket Spring bequeath


 



Four:  


Automobile watching mirror


loved ones journey left behind


Window glass front future loom


tapestry woven fragile threads


what make life binding web


a thousands of lifting and falling down


first step hold me and last step done


Only one eye makes the glass


sees before not after twice


some thing missed when looking back


and flying through the crossroads


Hands waving still goodbye


broken glass and the weepers sigh



 


Five:   


 


Red dot pencil life of shame


two score years and count them nine


People are afraid to die in there


are no caged animals content


Seeking corners to hide round rooms


gross display of privacy lost


Her eyes are behind him


They strangle the life from his son


dares to touch him in his box


wakes the beast to fornicate


breed like tiny monsters


They love like starving priests


whom may give the very least


 


Six:    & nbsp;   &n bsp;   


    & nbsp;


He seize her as a tiny bird


wet hair and body smooth water


plays her as a minuet


quarter time forward slow


She spreads her wings before him


that he might use her fly away


join lightning Summer mountain


Refuses to leave her live alone


Chooses to die together


and never live apart


ecstasy these lover’s art


A sweet duet their pulses sing


She holds him and their hearts take wing


 



Seven:


Some times he reminds himself


of those he tends to loathe


Of them he is then one


believes he deserves the best


receives instead the worst of the lot


wields an instrument of voice


opiate sword and thrust aside


his fellowmen a wounded cause


tossed down the lion’s throat


Gladiator gobbling the Moon


and promising as paladin


Courage a gauntlet wandering boot


a loss of causes rendered moot


 



Eight: 


As in casual religiosity


rabid rabbinical need


fed ort ritual slaughter


and the fervor of innocents


Fasting on the killing ground


a smudge of sin marks the sky


soon owns that broad expanse of skin


under whose citizens tweak


ride snow mountains on thin slats of board


give themselves over to vanity


and the greed of Nation


Hands washed skin tight plastic drape


nip and tuck blessed Earth to rape


 



Nine:  


The day we might feel a thing


slips by swift leather thong


binds us eternal and quicker still


We mete ourselves out younger


Some are meant to be found


It is a pure damned wonder


Where feet touch a ground wire meet


mud slick toes wiggle they might


make commerce of red faces


and touching after dark


We killed bugs in a bottle


The hungry boy he used to be


ate them he won’t look at me


 



Ten:    & nbsp;   &n bsp;   &nb sp;  


It is impossible to live with dignity


Body functions desire deny us


We are offered up simple


rutting lumps of flesh packs of lies


lost seeking a death of sleep


dominion over Earth


Trapped in the screaming universe of self


there is no peace in flesh


Slaves are we to nagging voice


feed me please me make me whole


There is still time to make the Gods laugh


They made us small we grew taller


Stood up, made ourselves smaller


 


(continued)


Madman Chronicles: The Warrior now available at:


http://www.publishamerica.com/shopping/shopdisplayp roducts.asp?catalogid=3425" title="http://www.publishamerica.com/shopping/shopdisplayp roducts.asp?catalogid=3425" target="_blank"http://www.publishamerica.com...


To discover the most dangerous writers alive, go to www.howlingdogpress.com and www.howlingdogpress.com/OMEGA.


There, in OMEGA 4, Weapons of Mass Deception, you will find a selection of poems by Tom (WordWulf) SternerHowe.

Website: http://pages.prodigy.net/sterner-howe" title="http://pages.prodigy.net/sterner-howe" target="_blank"http://pages.prodigy.net/ster...